As the poster of the film says... 12 Storeys is a film that has Desire , Hatred and Lust all woven amazingly well by the craftsmanship of the director Eric Khoo.
Eric Takes up the theme of urban isolation and alienation in modern Singapore. Four sets of narratives – ‘Sister’s Keeper’, ‘San San’, ‘China Bride’ and ‘Spirit’ – are built and set within one Housing Development Block (HDB) block, all of which come together to portray a day in the lives of the ordinary. In ‘Sister’s Keeper’, a domineering eldest brother, Meng, attempts to put his rebellious younger sister, Trixie, and little brother, Tee, through the wringer while their parents are away. Meng’s persistent interrogation of Trixie’s personal life leads ultimately to something far more explosive. ‘San San’ tells the story of a woman who lives with only suicide on her mind. Fat, silent, and alone, she constantly hears the ghost of her mother upbraid her as she used to when she was alive. Ah Gu, a middle-aged man, brings home a pretty young wife, Lili, from China in ‘China Bride’, only to find himself struggling to cope with her high material expectations. Their relationship is caught in mounting frustration and disappointment, especially as they realize their expectations does not map onto reality.
There is also the story of ‘Spirit’, about how the ghost of a young man makes his rounds, observing the rest of the households after he has jumped from that very block of flats.
Eric Takes up the theme of urban isolation and alienation in modern Singapore. Four sets of narratives – ‘Sister’s Keeper’, ‘San San’, ‘China Bride’ and ‘Spirit’ – are built and set within one Housing Development Block (HDB) block, all of which come together to portray a day in the lives of the ordinary. In ‘Sister’s Keeper’, a domineering eldest brother, Meng, attempts to put his rebellious younger sister, Trixie, and little brother, Tee, through the wringer while their parents are away. Meng’s persistent interrogation of Trixie’s personal life leads ultimately to something far more explosive. ‘San San’ tells the story of a woman who lives with only suicide on her mind. Fat, silent, and alone, she constantly hears the ghost of her mother upbraid her as she used to when she was alive. Ah Gu, a middle-aged man, brings home a pretty young wife, Lili, from China in ‘China Bride’, only to find himself struggling to cope with her high material expectations. Their relationship is caught in mounting frustration and disappointment, especially as they realize their expectations does not map onto reality.
There is also the story of ‘Spirit’, about how the ghost of a young man makes his rounds, observing the rest of the households after he has jumped from that very block of flats.